Room Resonance – Synthesis of Textures

Empty Spaces Make Drones  – Resonance Experiments in Space

Sound Art

Max/MSP

4-channel experimental sound installation

The central focus of this audiovisual work is the encounter of past and present actions and their influence on future ones. Through repeated recordings of the same space, capturing slow-motion repetitions of various sound textures and their delayed drone resonances, it explores how sound and spatial properties interact across time, ultimately transforming the acoustic space itself into a resonant instrument.

All sound sources merge into a cohesive whole, gradually interfering and creating an infinite number of layers. Individual sounds blur, making it impossible to pinpoint the moment an original sound ends and a new one emerges. A perceptible sample can remain clear one moment, then dissolve into chaotic textural noise with a small action, while another form already present comes forward. Sounds continuously shift, altering the listener’s perception of time and space.

The installation foregrounds listening as an embodied, phenomenological practice, inviting audiences to inhabit a space where perception unfolds across layers of time, interference, and resonance. Sound is experienced as a temporal and spatial medium, where presence, memory, and perception overlap. The space becomes both subject and record of action and absence, and the audience’s attention shapes the evolving sonic environment. By navigating the boundary between sound and silence, the work renders audible what is present and what is lost in reverberation and overlap, raising questions about how our perception of time and space can shift and transform.

                                      Exhumed, Resonance Experiments in Space